…a question that relates to writers’ story-building processes, which often happen in two distinct methods: plotting and pantsing.
Plotting: where the writer first creates an outline for the entire story with decisions about key plot points and character made before the actual writing begins. Many writers like having a clear direction or “roadmap” for the full project; some even find it reduces some of the substantive editing at later stages.
Pantsing: involves writing the story on the fly – or on the seat of your pants – with the story evolving and coming together while writing it. Many consider this method the freshest, most dynamic approach to story creation, and they savour the freedom of writing sans outline.
Both methods have their merits and their proponents. As for whether I’m a plotter or a pantser…

I have experience with both approaches.
My debut book, DOG WALKER, was a “pantsing” joy, which I wrote from start to finish, without fully knowing how I would end it. A humorous story about an awkward teen who starts a dog-walking company to meet girls, the story is a fast “romp” and it fell together equally fast.
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I began following the same method for my second novel and was enjoying this subsequent pantsing experience as well. Partway into my early draft of VANISH, however, I began struggling with the story’s direction. Not ready to give over my pantsing ways, I instead danced around the story — writing whichever high-impact scene shouted the loudest in my head, regardless of where it fell in the manuscript.

But when it was time to pull those scenes together — complete with writing the segues to connect them — it wasn’t immediately clear to me where each scene needed to fall. So I began plotting them out. My writing method for VANISH felt like rather a hybrid…
…leaving me wondering if I was truly a plotter or a pantser.
I didn’t fully resolve that matter, though, because Fate intervened with book #3 via my publisher’s acquisition process. Invited to pitch my story to them, I shared a brief summary and some early dialogue for SAVING GRAD, ie all I had completed at that point.

I was overjoyed that the editor loved the story concept. These words, though, made my stomach twist into tight, ugly knots: “The trigger to a book contract is an approved outline.”
An approved outline… of the entire novel? The novel I hadn’t written yet? Did I even know how it would end? Not really. And I definitely didn’t know most of what would happen in the middle.
Frantic, angsty outlining ensued and luckily, the editorial team approved my outline. My editor also confirmed her flexibility should new story possibilities arise while I was writing SAVING GRAD. To my surprise, though, I largely stuck with the outline.
From that point on, plotting grew more central to my writing process, and I began to feel lost without an outline — a feeling that persisted as I went on to write…

…followed by:

…and next up:
.
… and then,

…and, of course,

…AND, other fun manuscripts I’ve been developing since then.
I’m currently working on my next middle-grade novel and I recently finished my toughest round of no-holds-barred outlining EVER.
As for whether I’ll completely stick to my outline, my best guess is this: not likely. I seldom do.
I know, though, that my writing process involves both plotting and pantsing, and that their relative weight varies with each project. I often “pre-write” the scenes that tug at me the hardest from the outset. I then turn to some serious outlining. And then more writing, with my outline at my side.
While I refuse to be fully wedded to outlines, the stability of having one in hand feels helpful and reassuring from the outset.

In the plotting vs pantsing conundrum, I believe there’s room for a third category: PLANTSING.
Should you ever feel so inclined, feel free to meet me in that happy third space. There’s room for you there, too.









































